The Kinpaku Lacquer Doll in our collection is an example of hamamono, export crafts that flourished during the Meiji period when Japan opened its doors to international trade. Kanazawa, which still produces over ninety percent of Japan’s gold leaf, played a central role in such works. Its humid climate was ideal for gold leaf production, as it reduced static electricity, and the patient, meticulous character of Kanazawa’s artisans was well-suited to this demanding craft. Their mastery is beautifully reflected in the golden lacquer of this doll.
The figure is crafted with a remarkable combination of materials: the face, hands, and feet are carved from ivory, the obi is made of silver, and the hair ornament is adorned with a ruby. Together, these elements create a refined and striking presence.
The term hamamono—literally “things from Yokohama”—refers to Japanese artworks created for export during the late nineteenth century, when trading ports such as Yokohama and Kobe became gateways to the West. Alongside Arita ware and Satsuma ware, these pieces were designed to appeal to foreign tastes. This doll, too, is thought to have been produced through a division of labor among artisans across Japan: gold leaf craftsmen from Kanazawa, ivory carvers from Chiba, and others contributing their specialized skills.
Now a satogaeri piece—a “homecoming” object once sent abroad and later returned to Japan—the Kinpaku Lacquer Doll reflects the fascination with the image of the geisha among Western collectors and stands as a testament to Japan’s artistry and cultural exchange in the Meiji era.